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I can write 'em much faster than my agent and publisher can shovel them out onto the world. I have the following stacked up in manuscript.
This novel is a sequel to DOORS OF DEATH AND LIFE. I wrote both books extremely quickly, each in only a couple months. What can I say? when you’re hot, you’re hot.
It was obvious when I thought about it that Edwin Barbarossa’s problems were not going to surface in the short term. If you’re smart and keep your mouth shut, immortality doesn’t start to go sour for quite a long time. But, sixty or seventy years down the pike, it might become less fun. So of course I had to go there immediately, and work out all the details. In this book Edwin’s inevitable personal losses precipitate an emotional crisis. He joins the circus, goes to Hong Kong, is caught in the crossfire of a major civil war, and gets drawn into a few torrid clinches. This excerpt is from the first chapter.
This novel is set 150-some years in the future, and is about societal change the moral, artistic, and political evolution of American systems. And since Edwin Barbarossa is the hero, it’s about how difficult it is to be left behind, as the world rolls on without you. As ABYSS was about his coming to an emotional accommodation with his situation, this is about his social adjustment. In this excerpt he is helping to compose a musical called A PASSION FOR JUSTICE, in an age when live theater has been dead and in its grave for some decades.
To let him do this, the simplest thing for me was to write my very own musical for him to stage. Negotiating for the rights to tinker with an existing work, THE KING AND I or OKLAHOMA or whatever, would be difficult and costly, and I wanted to adjust the subject and theme of the musical to fit the rest of the novel. In the way of these things, however, A PASSION FOR JUSTICE once written began to take on a life of its own. A composer is putting together the music and lyrics, and if all goes well the piece may actually achieve its own independent and separate career on stage. If this happens gods of the theater, smile on us! it will be the first time I know of that a musical written specifically for a novel has moved to the stage. Books transformed into musicals are nothing very much out of the way (consider LES MISERABLES or THE SOUND OF MUSIC), but I have never heard of a musical appearing in fiction and then jumping to the stage.
I wanted to experiment with family structure, and also to resolve a couple of very long-term questions posed in the previous books. The simplest way to set this up was to wipe out most of the humans on Earth. In this excerpt Avven Coftura is guiding an-Lattine, an offworld visitor, to a remote farmstead.
|©1998-2000 Brenda and Larry Clough||Last modified 19 March 2000|